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Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc.

Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts. Trivia In a 2005 interview, remarked: 'it all comes down to audience expectations.

The film that I made, I saw as a kind of riposte to the ugliness and darkness of (1973) - I wanted a film about journeys that was positive, about good, essentially. And I think that audiences, in hindsight, were right. I denied them what they wanted and they were pissed off about it - quite rightly, I knew I wasn't giving them what they wanted and it was a really foolish choice. The film itself, I think, is an interesting one - there's some good work in it - but when they came to me with it I told John Calley, who was running Warner Bros.

Then, that I didn't want it. 'Look,' I said, 'I have daughters, I don't want to make a film about torturing a child,' which is how I saw the original film. But then I read a three-page treatment for a sequel written by a man named William Goodhart and I was really intrigued by it because it was about goodness. I saw it then as a chance to film a riposte to the first picture. But it had one of the most disastrous openings ever - there were riots! And we recut the actual prints in the theatres, about six a day, but it didn't help of course and I couldn't bear to talk about it, or look at it, for years.'

What can one say? Boorman went from Deliverance to this? Okay, in addition to being completely hilarious, this is also the most pretentious movie ever made, (aside from The Matrix Reloaded). Good thing Burstyn sat out for this turkey. Please tell me that I didn't see James Earl Jones in a big locust suit. Please tell me that I didn't see Oscar Winner Louise Fletcher being groped by a matted Linda Blair stand in and moaning (I am not making this up) in such a way that would make Ron Jeremy take notice. And what in the name of all things good and holy is a 'Synchronizer' and what does it have to do with anything at all?

Why is Africa made of fiber-glass? Why is Richard Burton made of stone? They couldn't have made this worse if they had scripted it so. Oh, wait.they did. Well, for all its faults at least it's not a desperate attempt by a major studio to milk whatever money they can out of a pre-existing hit by combining a-list actors, and a controversial visualist director, with a hastily prepared screenplay that shares little of the spirit and intelligence of its predecessor, producing a boring, although often laughably pious bastardization of something far, far greater. Oh wait.it is.

If you're a fan of bad movies, you have reached Zen here. If you're a fan of the original Exorcist, run, just run and don't look back. Run with your arms flailing into the night as the preview audiences surely did in 1977.